Contact Us

Church of New Orleans wants to hear from you! Do you have any suggestions on how we can make our site better? How about some content ideas? Any thoughts on NOLA-related events, bands, restaurants, bars, etc., we should feature? Let us know if you have any comments or questions!

         

123 Street Avenue, City Town, 99999

(123) 555-6789

email@address.com

 

You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.

header - nola blog.jpg

NOLA Community Blog

New Orleans is the city that lives in you, no matter where you live. And this website is for all of us who don’t live in New Orleans to stay connected with the Big Easy. Welcome to Church of New Orleans!

 

Filtering by Category: saint

Celebrating the Birthday of Rockin' Dopsie

John Dunlop

Zydeco singer and accordionist Alton Jay Rubin, who performed as Rockin' Dopsie, was born on February 10, 1932, in Carencro, Louisiana, and was the son of Walter Rubin, who played accordion at local dances. Dopsie was given his first accordion at age 14, and since he was left-handed, he learned to play it upside down. He performed at local parties, until he was 19, at which time he moved to Lafayette with his parents. He began playing in clubs in the mid-1950s, and took his stage name from a dancer called Doopsie, including pronouncing his name the same way. In addition to performing as a zydeco musician, he continued working his day job, eventually becoming an electrical contractor.

Dopsie performed around Louisiana, and recorded occasionally the 1950s and 1960s, and his appearance at the New Orleans Jazz and Heritage Festival in 1976 led to the release of his first album, Doin' The Zydeco. His music assimilated R&B influences into zydeco, even covering R&B hits in a zydeco style. Starting in 1979, he toured Europe regularly with his group, the Twisters, and his popularity there led to him recording a string of albums in the late 1970s and early 1980s. In 1986, he played accordion on the zydeco-influenced song "That Was Your Mother" on Paul Simon's Graceland album, and recorded the album Crowned Prince Of Zydeco in 1987. His final album in 1991, Louisiana Music, received a Grammy Award nomination. Sadly, he passed away at 61 on August 26, 1993.

Dopsie’s band continues to perform, now known as Rockin' Dopsie, Jr. & The Zydeco Twisters. The band is led by his son Dopsie Jr., who is an accordionist, vocalist and washboard player, and with his son Alton Jr., on drums. Dopsie's younger son Dwayne also plays accordion and leads his own band, Dwayne Dopsie & the Zydeco Hellraisers. Today we celebrate the birthday of this gifted musician and appreciate his musical legacy!

Celebrating the Birthday of Earl King!

John Dunlop

Singer-songwriter and guitarist Earl King (Earl Silas Johnson) was born in New Orleans on February 7, 1934. King started playing guitar at 15, entered local talent contests, and met his idol, Guitar Slim, at one such contest at the Dew Drop Inn. In 1954, King toured with Guitar Slim's band, representing himself as Slim, after an automobile accident had sidelined Slim.King ultimately became a regular at the Inn, and made his first recording in 1953 as Earl Johnson. In 1955 his hit song “Those Lonely, Lonely Nights” reached number 7 on the BillboardR&B chart. The legendary Dave Bartholomew invited King to record for Imperial Records in 1960, and it was there that he recorded his signature songs “Trick Bag” and “Come On”.

While King did not record for much of the 1960s, he was very productive producing and songwriting for local labels, including the iconic “Big Chief” recorded by Professor Longhair. He recorded a few tracks for Motown Records in the mid-1960s, and in 1972 he recorded the album Street Paradewith Allen Toussaint and the Meters, which was ultimately released in 1982. King appeared on the New Orleans Jazz & Heritage Festival 1976, recorded the album That Good Old New Orleans Rock ‘n Roll, released in 1977. His 1986 album Glazedwas nominated for a Grammy Award. He released two more albums in the 1990s featuring such luminaries as Snooks Eaglin, George Porter, Jr., and David Torkanosky. King performed off and on locally until his death. 

Earl King passed away on April 17, 2003, just a week before the New Orleans Jazz & Heritage Festival. And in typical New Orleans style, his funeral was held during the festival with many musicians in attendance, including Dr. John, Aaron Neville, and Leo Nocentelli. On this day we remember one of the greats of New Orleans Blues!

Photo by: Masahiro Sumori

Photo by: Masahiro Sumori

Celebrating the Birthday of Willie Tee

John Dunlop

Keyboardist, songwriter, singer, and producer Wilson Turbinton, professionally known as Willie Tee, was born in New Orleans on February 6, 1944. An early architect of New Orleans funk and soul, he helped shape the sound of New Orleans for more than four decades. Tee grew up in the Calliope Projects in New Orleans. Early influences ranged from Professor Longhair’s rhythm and blues, to John Coltrane’s jazz. He made his first recordings in 1962 while still a teenager. In the late 1960s, Willie Tee & the Souls played venues from the Apollo Theater in Harlem to the Ivanhoe on Bourbon Street. Tee arranged, co-wrote and led the band on the Wild Magnolias' self-titled 1974 debut album. The popularity of that recording, and the subsequent They Call Us Wild, introduced the Mardi Gras Indians' brand of funk to the world.

Tee's early recordings have been used as source material for numerous rappers, includingNew Orleans’ own Lil Wayne, who sampled "Moment of Truth", a song from Turbinton's 1976 album, Anticipation for 2005’s "Tha Mobb", the opening track on Tha Carter II. Tee remained active in his career as a producer, songwriter, performer and session musician. He contributed to Dr. John's 2004 album, N'Awlinz: Dis Dat or D'Udda, and appeared briefly in the Oscar-winning Jamie Foxx film about Ray Charles, Ray. In April 2007, Tee was honored with an induction into the Louisiana Music Hall of Fame for his contributions to Louisiana music. Sadly, Tee died on September 11, 2007, aged 63, four weeks after being diagnosed with colon cancer. He may be gone, but his contribution to New Orleans music is immeasurable and will always be remembered.

Celebrating the Birthday of Snooks Eaglin

John Dunlop

Guitarist and vocalist Fird “Snooks” Eaglin was born in New Orleans on January 21, 1937. Not long after his first birthday, Eaglin lost his sight due to glaucoma. At about five years of age, his father gave him a guitar, and he taught himself to play by listening to and playing along with the radio. Mischievous as a child, Eaglin was given the nickname "Snooks" after a radio character named Baby Snooks. In 1947, at the age of 11, Eaglin entered a radio talent contest, and in 1950, he dropped out of a school for the blind to become a professional musician. Two years later, he joined a local band started by Allen Toussaint called the Flamingoes. Eaglin played both the guitar and the bass parts simultaneously on his guitar, and he stayed with the band until they disbanded in the mid-1950s. 

His vocal style was reminiscent of Ray Charles, and he played such a wide range of songs and styles of music, sometimes within the same concert, album, or song, that he was nicknamed “The Human Jukebox.” He usually did not prepare set lists for his live shows, playing songs that came to him on stage and taking requests from the audience. Amazingly, his musical repertoire was said to include 2500 songs. Though he had a lengthy career spanning nearly five decades, Eaglin’s recording and touring as a solo artist were inconsistent. Over the years he worked with luminaries such as James Booker, Dave Bartholomew, Ellis Marsalis, Professor Longhair, and the Wild Magnolias. He was at his most consistent between 1987 and 1999, when he recorded five albums and recorded with other artists including Earl King and Henry Butler. 

Eaglin was scheduled to make a comeback appearance at the New Orleans Jazz & Heritage Festival in the spring of 2009, but sadly he passed away on February 18, 2009. Today we celebrate the life and legacy of one of New Orleans’ own.

Photo by: Masahiro Sumori - https://commons.wikimedia.org/wiki/User:Sumori

Photo by: Masahiro Sumori - https://commons.wikimedia.org/wiki/User:Sumori

Celebrating the Birthday of Allen Toussaint

John Dunlop

Pianist, songwriter, arranger and record producer Allen Toussaint was born in Gert Town in New Orleans on January 14, 1938. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures". Many musicians recorded Toussaint's compositions, including “Whipped Cream”, "Java", "Mother-in-Law", "I Like It Like That", "Fortune Teller", "Ride Your Pony", "Get Out of My Life, Woman", "Working in the Coal Mine", "Everything I Do Gonna Be Funky", "Here Come the Girls", "Yes We Can Can", "Play Something Sweet", and "Southern Nights". He was a producer for hundreds of recordings, among the best known of which are "Right Place, Wrong Time", by his longtime friend Dr. John ("Mac" Rebennack), and "Lady Marmalade" by Labelle. Toussaint was inducted into the Rock and Roll Hall of Fame in 1998, the Louisiana Music Hall of Fame in 2009, the Songwriter's Hall of Fame and the Blues Hall of Fame in 2011. In 2013 he was awarded the National Medal of Arts by President Barack Obama In 2016, he posthumously won the Pinetop Perkins Piano Player title at the Blues Music Awards. Sadly, Toussaint passed away on November 10, 2015, while on tour in Madrid, Spain. Today we celebrate the birthday of a true New Orleans luminary.

Photo by Henryk Kotowski

Photo by Henryk Kotowski

Celebrating the Birthday of Bo Dollis

John Dunlop

Theodore Emile "Bo" Dollis was born in New Orleans on January 14, 1944, and grew up in Central City. While in high school, he secretly attended Sunday night Indian "practice" at a friend's house, following The White Eagles tribe, playing and singing the traditional repertoire. In 1957 he masked for the first time with The Golden Arrows, not telling his family of his involvement with the Indians. He made his suit at someone else's house and told his folks he was going to a parade. Hours later his father discovered him, having recognized his son in the street, underneath a crown of feathers. In 1964, Bo Dollis became Big Chief of The Wild Magnolias, having previously participated in other Mardi Gras tribes.

Bo Dollis' name is virtually synonymous with the Wild Magnolias Mardi Gras Indian Tribe. Dollis’ talent is legendary, as he could improvise well and sing with a sweet voice, or a rough edge. Dollis’ childhood friend Monk Boudreaux, Chief of the Golden Eagles, has appeared with The Wild Magnolias since 1970. In that year, The Wild Magnolias recorded a single called "Handa Wanda," that, in addition to featuring their usual ensemble of vocalists and battery of percussion instruments, made history as the first time Mardi Gras Indians performed in the studio with a full band backing them up. The single found success in jukeboxes and through local word-of-mouth, if not on the radio, and ultimately led to a record contract. Two critically acclaimed full-length albums followed, in 1974 and 1975, and a single, "Smoke My Peace Pipe (Smoke it Right)", went to #74 on the Billboard Black Singles chart in 1974. 

In the late 1980s, The Wild Magnolias’ career got a boost from Allison Miner who booked them on new tours, along with signing them to Rounder Records, who released an album of theirs, I'm Back...at Carnival Time (featuring the ReBirth Brass Band) in 1990. In 1992, the Magnolias toured Europe as part of Willy DeVille's "New Orleans Revue", along with Dr John, Johnny Adams, and Zachary Richard. In 1999 they released Life is a Carnival, and with a permanent backing band, they embarked on worldwide tours. 2013's New Kind of Funk  marked the first Wild Magnolias record fronted by Dollis' son, Gerard "Bo Jr.," who also now serves as Big Chief of the tribe. Sadly Big Chief Bo Dollis died on January 20, 2015. Today we celebrate the birthday of this unique artist whose authentic music features prominently in the glorious fabric of New Orleans culture.