NOLA Community Blog
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Celebrating the Birthday of Ernie K-Doe
John Dunlop
Rhythm and blues singer drummer, broadcaster, and club-owner Ernest Kador, Jr., known by the stage name Ernie K-Doe, was born in New Orleans on February 22, 1933. He was best known for his 1961 hit single “Mother-in-Law”, which was written by Allen Toussaint, and went to number 1 on the Billboard pop chart..His song "Te-Ta-Te-Ta-Ta" reached number 21 the same year, and "Later for Tomorrow" reached number 37 in 1967, but he never had another top 40 pop hit.
In the 1980s K-Doe did radio shows on New Orleans community stations, occasionally causing problems for the noncommercial stations with his frequent self-promotion. In the 1990s K-Doe began to call himself "The Emperor of the Universe" and wore a cape and crown, becoming a famous local eccentric in New Orleans. Always an elaborate showman, one of K-Doe's most notable later performances ended with him performing seven continuous renditions of "Mother In Law" while dancing in front of the Aquarium of the Americas’ shark tank dressed in a green plumed cape. "Here Come the Girls", written by Allen Toussaint and recorded by K-Doe, was released in 1970, but was not a hit until it was used in an advertising campaign in 2007 and re-released. In 2008, a cover by the Sugarbabes reached number 3 on the UK charts, and in 2017 it was covered by Trombone Shorty. In 1994 The Mother-in-Law Lounge was opened by Ernie K-Doe, and it became an icon in the local community. K-Doe continued performing and occasionally recording until shortly before his death on July 5, 2001.
Today we celebrate the Emperor of the Universe’s birthday, and remember this talented artist … Ernie K. Doe.
Celebrating the Birthday of Rockin' Dopsie
John Dunlop
Zydeco singer and accordionist Alton Jay Rubin, who performed as Rockin' Dopsie, was born on February 10, 1932, in Carencro, Louisiana, and was the son of Walter Rubin, who played accordion at local dances. Dopsie was given his first accordion at age 14, and since he was left-handed, he learned to play it upside down. He performed at local parties, until he was 19, at which time he moved to Lafayette with his parents. He began playing in clubs in the mid-1950s, and took his stage name from a dancer called Doopsie, including pronouncing his name the same way. In addition to performing as a zydeco musician, he continued working his day job, eventually becoming an electrical contractor.
Dopsie performed around Louisiana, and recorded occasionally the 1950s and 1960s, and his appearance at the New Orleans Jazz and Heritage Festival in 1976 led to the release of his first album, Doin' The Zydeco. His music assimilated R&B influences into zydeco, even covering R&B hits in a zydeco style. Starting in 1979, he toured Europe regularly with his group, the Twisters, and his popularity there led to him recording a string of albums in the late 1970s and early 1980s. In 1986, he played accordion on the zydeco-influenced song "That Was Your Mother" on Paul Simon's Graceland album, and recorded the album Crowned Prince Of Zydeco in 1987. His final album in 1991, Louisiana Music, received a Grammy Award nomination. Sadly, he passed away at 61 on August 26, 1993.
Dopsie’s band continues to perform, now known as Rockin' Dopsie, Jr. & The Zydeco Twisters. The band is led by his son Dopsie Jr., who is an accordionist, vocalist and washboard player, and with his son Alton Jr., on drums. Dopsie's younger son Dwayne also plays accordion and leads his own band, Dwayne Dopsie & the Zydeco Hellraisers. Today we celebrate the birthday of this gifted musician and appreciate his musical legacy!
Celebrating the Birthday of Earl King!
John Dunlop
Singer-songwriter and guitarist Earl King (Earl Silas Johnson) was born in New Orleans on February 7, 1934. King started playing guitar at 15, entered local talent contests, and met his idol, Guitar Slim, at one such contest at the Dew Drop Inn. In 1954, King toured with Guitar Slim's band, representing himself as Slim, after an automobile accident had sidelined Slim.King ultimately became a regular at the Inn, and made his first recording in 1953 as Earl Johnson. In 1955 his hit song “Those Lonely, Lonely Nights” reached number 7 on the BillboardR&B chart. The legendary Dave Bartholomew invited King to record for Imperial Records in 1960, and it was there that he recorded his signature songs “Trick Bag” and “Come On”.
While King did not record for much of the 1960s, he was very productive producing and songwriting for local labels, including the iconic “Big Chief” recorded by Professor Longhair. He recorded a few tracks for Motown Records in the mid-1960s, and in 1972 he recorded the album Street Paradewith Allen Toussaint and the Meters, which was ultimately released in 1982. King appeared on the New Orleans Jazz & Heritage Festival 1976, recorded the album That Good Old New Orleans Rock ‘n Roll, released in 1977. His 1986 album Glazedwas nominated for a Grammy Award. He released two more albums in the 1990s featuring such luminaries as Snooks Eaglin, George Porter, Jr., and David Torkanosky. King performed off and on locally until his death.
Earl King passed away on April 17, 2003, just a week before the New Orleans Jazz & Heritage Festival. And in typical New Orleans style, his funeral was held during the festival with many musicians in attendance, including Dr. John, Aaron Neville, and Leo Nocentelli. On this day we remember one of the greats of New Orleans Blues!
Celebrating the Birthday of Willie Tee
John Dunlop
Keyboardist, songwriter, singer, and producer Wilson Turbinton, professionally known as Willie Tee, was born in New Orleans on February 6, 1944. An early architect of New Orleans funk and soul, he helped shape the sound of New Orleans for more than four decades. Tee grew up in the Calliope Projects in New Orleans. Early influences ranged from Professor Longhair’s rhythm and blues, to John Coltrane’s jazz. He made his first recordings in 1962 while still a teenager. In the late 1960s, Willie Tee & the Souls played venues from the Apollo Theater in Harlem to the Ivanhoe on Bourbon Street. Tee arranged, co-wrote and led the band on the Wild Magnolias' self-titled 1974 debut album. The popularity of that recording, and the subsequent They Call Us Wild, introduced the Mardi Gras Indians' brand of funk to the world.
Tee's early recordings have been used as source material for numerous rappers, includingNew Orleans’ own Lil Wayne, who sampled "Moment of Truth", a song from Turbinton's 1976 album, Anticipation for 2005’s "Tha Mobb", the opening track on Tha Carter II. Tee remained active in his career as a producer, songwriter, performer and session musician. He contributed to Dr. John's 2004 album, N'Awlinz: Dis Dat or D'Udda, and appeared briefly in the Oscar-winning Jamie Foxx film about Ray Charles, Ray. In April 2007, Tee was honored with an induction into the Louisiana Music Hall of Fame for his contributions to Louisiana music. Sadly, Tee died on September 11, 2007, aged 63, four weeks after being diagnosed with colon cancer. He may be gone, but his contribution to New Orleans music is immeasurable and will always be remembered.
Celebrating the Birthday of Snooks Eaglin
John Dunlop
Guitarist and vocalist Fird “Snooks” Eaglin was born in New Orleans on January 21, 1937. Not long after his first birthday, Eaglin lost his sight due to glaucoma. At about five years of age, his father gave him a guitar, and he taught himself to play by listening to and playing along with the radio. Mischievous as a child, Eaglin was given the nickname "Snooks" after a radio character named Baby Snooks. In 1947, at the age of 11, Eaglin entered a radio talent contest, and in 1950, he dropped out of a school for the blind to become a professional musician. Two years later, he joined a local band started by Allen Toussaint called the Flamingoes. Eaglin played both the guitar and the bass parts simultaneously on his guitar, and he stayed with the band until they disbanded in the mid-1950s.
His vocal style was reminiscent of Ray Charles, and he played such a wide range of songs and styles of music, sometimes within the same concert, album, or song, that he was nicknamed “The Human Jukebox.” He usually did not prepare set lists for his live shows, playing songs that came to him on stage and taking requests from the audience. Amazingly, his musical repertoire was said to include 2500 songs. Though he had a lengthy career spanning nearly five decades, Eaglin’s recording and touring as a solo artist were inconsistent. Over the years he worked with luminaries such as James Booker, Dave Bartholomew, Ellis Marsalis, Professor Longhair, and the Wild Magnolias. He was at his most consistent between 1987 and 1999, when he recorded five albums and recorded with other artists including Earl King and Henry Butler.
Eaglin was scheduled to make a comeback appearance at the New Orleans Jazz & Heritage Festival in the spring of 2009, but sadly he passed away on February 18, 2009. Today we celebrate the life and legacy of one of New Orleans’ own.